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battle
of hastings
AS MY 14-YEAR-OLD
WOULD SAY, “ ITWASLIKEBOOM!” (PLEASE KEEP in mind that pauses
and punctuation make only cameo appearances in the vocabulary of
many male adolescents.)
In terms of
economic cycles,though,it really was like an explosion. Bang. Boom.
Flash. When the dust settled, the business landscape was littered
with the debris of dozens and dozens of Internet-based dot-com companies
that, just a few months earlier, seemed certain to change our world.
Pets.com? Gone.
Egghead.com? Gone. Kozmo.com? Gone. The list could fill this page
and several more.
There were,
though, a few new Web-based businesses that withstood the blast.
The companies within this group have a number of things in common:
They pay attention to building revenue, not just venture capital
investment. They provide a needed product or service. In many cases,
they provide a traditional product or service in a non-traditional,
more efficient, Web-based manner. And,almost without exception,they
pay extraordinarily close attention to their logistics operations.
One of the best
examples, perhaps, is an online DVD video rental firm called Netflix.
Founded in 1998 by now-CEO Reed Hastings, Netflix does what it does
better than anyone else. Hands down.
I know this
first-hand. In late 1999, we got our first DVD player at home. After
the unit was installed and operating, I turned to the pile of warranty
cards and instruction manuals that littered the floor. One was a
little postcard promoting a free trial membership with a company
called Netflix.“Free” being the operative word, I gave it a whirl.
After the free trial, for $19.95 a month, Netflix allows me to rent
an unlimited number of movies. All I do is go to their Web site,
build a list of movies that I’d like to see and wait for the U.S.
Postal Service to deliver them.
Once they arrive,
I can keep them as long as I’d like. When I’m done with a film,
I simply slide it into its pre-paid return mailer and send it back.
When it arrives at Netflix, their system automatically sends me
the next title on my list. Could it be any better?
Well, it turns
out, it can. Over the course of the first year, there was roughly
a 7-to 10-day lag between the time I mailed a mo vie back and the
arrival of a new one. Around the middle of 2001,I noticed that this
lag time essentially disappeared.Why? Netflix went online with 10
new distribution centers at key locations throughout the United
States.
Today, the company
enjoys a commanding 95-percent share of market in the burgeoning
online DVD rental business. Its success has led the likes of Walmart.com
and Blockbuster.com to enter the fray. This, of course,hasn’t escaped
the attention of Netflix management, including Reed Hastings. He
might be concerned, but he certainly is not alarmed. After all,
he has a secret weapon: Figuring that these new competitors will
very likely struggle to “get their logistics right,” Hastings plans
to bring another 12 DCs online this year to further solidify Netflix’s
position.
In announcing
the plans to double its DC operations, Hastings told stock-market
analysts that Netflix’s logistics operation will make a genuine
competitive difference. Netflix’s rental turnaround time for the
average customer, he said, has fallen from 14 days in December 2001
to two days. And that time lag is likely to drop further: Putting
12 additional DCs into service, Hastings says, “will bring overnight
DVD delivery to about 70 percent of our subscribers.”
With this attention
to logistics operations, Hastings says, NetFlix expects to maintain
at least a 50-percent market share as time goes on. Not bad for
a com pany that didn’t even exist five years ago and has taken on
established retail powerhouses like Wal-Mart and Blockbuster. Not
bad in a market that already accounts for one- third of the total
video rental business (up from 15 percent in 2001). Not bad for
a company that is poised to have over a million subscribers paying
about $20 a month a piece in the near future.
The moral of
the story? Attention to logistics operations can make the difference
between a dot-com and a dot-bomb.

Editorial Director
mitch@dcvelocity.com
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